Bayona ( A Monster Calls, The Orphanage) brings a darker, horror-minded sensibility to the material, but it’s an uneasy match with the franchise’s Spielbergian moments of whimsy and wonder. It’s hard to know where its sequel, Jurassic World: Fallen Kingdom, would fit within that thinly veiled metaphor. Trevorrow’s mildly subversive take worked for audiences, and the film grossed more than $1.67 billion worldwide, making it one of 2015’s biggest successes. was a stand-in for Hollywood and its obsession with bigger-than-big sequels, and the new Indominus rex dinosaur hybrid was the same kind of amped-up cash-in that movie audiences are sold every year.
Jurassic World wasn’t just a blockbuster, it was a meta-movie.
Three years ago, director Colin Trevorrow brought Steven Spielberg’s long-dormant Jurassic Park franchise back to life, with a storyline about a futuristic wildlife park that was so desperate to keep selling tickets, it was willing to genetically modify its creatures in the name of spectacle. Warning: spoilers for Jurassic World: Fallen Kingdom below.
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